In these spaces it is demarcated what she interests this ideology and mainly it will have to be represented. In the measure where the time and the society if modify, the objects of this kept out of society culture then start if to integrate to the physical spaces of museums. However, one more time they will be acquired, selected from the agreement of a classroom that observes these representations with atrelada type of critical to ' ' civilized/primitive, erudite/popular ' ' that they express clearly the effective ideals in the society. It remembers that studies on Museologia and Patrimnio, over all for the optics of History and the Anthropology, concentrating its studies in historical and etnogrficos museums and are associates the occured transformations in these you discipline in finishes decade. In the first one, the questionings of description-social and economic nature, beyond the configuration of a partner-cultural and politician-cultural history beyond the magnifying of the research sources of what they consider ' effectively; ' material histrico' '.
In the Anthropology it takes in them to auto-reflection process that is gifts in such a way in the texts how much in the spaces of the museums. These studies of collections, museums and patrimony are seen by the author as propeller of the aspirations and claims of the nationalistic, ethnic or religious movements in defense of what it is known to it as identity and memory. From there, still in 70 years the desire of necessity to repatriate the memory that are spread by the occidental museums. In ' ' Museus and Muselogos' ' , the author together explains that with professionals of the Museologia? for it looked for with the intention to understand the way, the day the day of the profession, the existing trajectory and links I publish with it, State and other sources of financing, at last, with the all that interacts with the area.